The Box of Photographs
We didn't wait for the reception to end. Georgia drove us straight to the house — our house, technically, we supposed, since apparently nothing else was — and we carried the box of photographs up to the kitchen table like it might combust.
"Maybe she just meant it sentimentally," Georgia said, not sounding convinced. "The kitchen table thing."
"She said 'taken care of.' That's not sentimental, that's financial. That's a woman talking about money."
"You're doing the thing where you decide something's a conspiracy and then go looking for proof."
"I'm doing the thing where I trust my own ears."
We started pulling out photographs — Aunt Solange as a young woman on a dock somewhere, Aunt Solange holding two identical infants who could only be us, Aunt Solange at Priscilla's wedding, unsmiling in a way I hadn't noticed at the time but noticed now.
Near the bottom, wedged between the cardboard and a stack of loose photos, was an envelope. Not sealed. Just folded twice, our names written on the outside in Aunt Solange's looping hand — Della & Georgia, together, always.
Inside was a single index card.
If you're reading this, something has gone wrong. Go to Odalys. She knows where I kept the truth.
— S.
Georgia read it twice. "Odalys. That's — Mrs. Pruitt?"
"She worked for Aunt Solange for what, twenty years?"
"Della." Georgia's voice had gone thin. "What does she mean, 'something has gone wrong'?"
I turned the card over, looking for more, but that was all there was — six words and an initial, tucked into a box that was supposed to be worthless, in a will that had been signed six weeks before our aunt died and that had somehow left two people who'd loved her their whole lives with nothing but a box she'd clearly, deliberately, made sure we'd open.
"We need to find Mrs. Pruitt," I said. "Tonight."
Georgia was already reaching for her coat when her phone buzzed on the table. A text from an unknown number, no name attached.
Leave it alone. For your own good.